bradford pears in bloom, bach's
fugue for string quartet, the body in movement is a fugue and three
miles becomes eight and its almost spring. . . the run, the body, the
stride, this muscled gasp of form like a fugue, a layered rhythm of
intricate little intelligences, converging where the distance is no distance but a continuum, a hemingway sentence sweeping towards a
kerouac paragraph. . . the yawning fire of the chest, the pleasure of movement, the
anticipation of spring and fragrance and easy beaches and bright musics. . .
. spring is a run, is the joyful howl into a quiet neck of
the woods where sleep wolves and where swells the earth, viridian green and wet.
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